At the beginning of this month and the last day of our intensive
Spanish classes, we had the pleasure of hearing Dr. Sergio Missana* lecture
about Latin American literature. I’m going to summarize the lecture as concisely as I can because
I know that while I think the
information he shared is an interesting gateway into the Latin American history
and culture, not everyone will find this interesting. If you do, read on!
Dr. Missana covered several topics, but he began by telling
us something that I wouldn't expect a literature scholar to tell a class (but
I guess it was also something that only a literature scholar has the authority
to say): literature is virtually impossible to generalize because literature is
about the individual. He talked about how this individuality calls into
question the process of choosing what belongs in a literary canon and what doesn't a heated controversy between many literary scholars and enthusiasts today.
He told us that Chile is called la tierra de poetas (the land of poets) and mentioned these five in
particular, if you’re interested in reading some good Latin American poetry: Vicente Huidobro, Gabriela Mistral,
Pablo Neruda, Nicanor Parra, and Jorge Tellier.
And then he surprised me again by saying it’s hard to
explain poetry and what it does or doesn’t do. He told us Jorge Luis Borges
said that people who analyze poetry are like astronomers who never look at the
stars. “Life is too short for that,” Dr. Missana said. “Just enjoy it!” (So for
all of you who hate analyzing poetry, there’s your out. Take it and run! But
keep reading.)
Chilean literature tends to be very political and historical
in nature. Dr. Missana walked us through the “waves” of Chile’s history through
its literature: independence, liberalism, “cuestión social,” revolution, etc. He
talked about the Latin American Boom of the 1960s and ‘70s, which was an
instrumental part in the development of Latin American literature as we know it
today. The hallmarks of Latin American literature, especially during the Boom
period, are magical realism and historical fiction. Five authors came to be
internationally recognized during the Boom: José Donoso, Julio Cortázar, Carlos
Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. Check ‘em out!
After 16 days of three-hour-long Spanish classes in which we
read several poems and short stories, and then this lecture from Dr. Missana, I’m
realizing that I’m learning more than lots of new Spanish vocabulary—I’m also
learning so much about history and culture through reading Latin American
literature. And I’m enjoying it! I never thought I was a “history person” until
this trip; now I find myself becoming more interested in my own culture as I learn about
the Latin American culture. One of the things I will come back to the United States with is a new perspective and a new interest in our history and culture, and that is a welcomed change.
*Here’s a quick bio: Dr. Missana is from Chile. He studied Journalism
at the University of Chile, and then he studied at Stanford University, where
he received his PhD in Spanish and Latin American Literature. Now Dr. Missana
is professor of Latin American Literature for Stanford’s Overseas Study program
in Santiago. He has authored five novels, several journalistic pieces, and has
had his hand in scriptwriting, as well. Oh, and I can’t forget to mention that
he has coauthored two children’s books with his twelve-year-old daughter.
Basically, he’s awesome.
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